BCE’s 2007–2008 Season

Friday, November 30th, 2007
8:00 pm at First Church Cambridge

Sunday, December 2nd, 2007
2:00 pm at the Church of St. John the Evangelist

In the history of western music, the term madrigal is used to describe a broad swath of choral music, often evocative settings of poetry, that explore typically secular themes. As we lead into the holiday season, the BCE is delighted to present a program consisting entirely of madrigals.

Come join us for this festive musical romp, and revel in some shocking and creative examples of this popular genre. The centerpiece for this program will be a 20th century American take on Madrigals: Ross Lee Finney's Spherical Madrigals (1947). We hope that you'll join us for this bold auditory feast!

Giovanni GASTOLDI
c1554–1609
: Amor vittorioso (1591)
Cipriano de RORE
c1515/16–1565
: Anchor che col partire (1547)
Carlo GESULADO
c1561–1613
: Sospirava il mio core (1595)
Thomas MORLEY
1557/8–1602
: Fyer, fyer (1595)
Claudio MONTEVERDI
1567–1643
: Ohimé, se tanto amate (1603)
Luca MARENZIO
1553/4–1599
: Se sì alto pon gir mie stanche rime (1599)
John BENNET
fl1599–1614
: Weep O mine eyes
MONTEVERDI : Lamento d’Arianna (1623)
Lasciatemi morire
GESUALDO : Moro, lasso, al mio duolo (1611)
Thomas WEELKES
1576–1623
: Death hath Deprived Me (1608)
Ross Lee FINNEY
1906–1997
: Spherical Madrigals (1947)
  1. When again all these rare perfections meet
  2. All-circling point
  3. His body was an orb
  4. On a round ball
  5. Nor doe I doubt
  6. See how the Earth
Michael EAST
c1580–1648
: O metaphysical Tobacco
Clément JANEQUIN
c1485–after 1558
: Le chant des oiseaux (1528)
Arnold von BRUCK
?1500–1554
: So trinken wir alle (1536)
Thomas RAVENSCROFT
?1592–c1635
: Trudge away quickly (1614)
[download the program, .pdf, 3.3 Mb]

Friday, March 7th, 2008
8:00 pm at First Church Cambridge

Sunday, March 9th, 2008
2:00 pm at the Church of St. John the Evangelist

Come experience the moving beauty of Orlande de Lassus’s final and greatest work: Lagrime di San Pietro, or Tears of St. Peter (1594). De Lassus is considered one of the most versatile composers of the Renaissance. His staggering output includes 4 passion settings, over 60 masses, more than 100 magnificats, and countless secular madrigals.

Lagrime, an exquisite masterwork, is a prime example of the less common genre of madrigale spirituale, or spiritual madrigal. The work—a set of Italian poems centering on St. Peter after his denial of Christ—is a culmination of de Lassus’s compositional language and is considered “one of the most remarkable artistic testaments in the history of music” (James Haar).

Orlando di LASSO : Lagrime di San Pietro (1594)
  1. Il magnanimo Pietro
  2. Ma gli archi
  3. Tre volte haveva à l'importunae audace
  4. Qual' à l’incontro di quegli occhi santi
  5. Giovane donna il suo bel volto in specchio
  6. Cosi tal’hor
  7. Ogniocchio del Signor lingua veloce
  8. Nessun fedel trovai, nessun cortese
  9. Chi ad una ad una raccontar potesse
  10. Come falda di neve
  11. E non fu il pianto suo rivo ó Tporrente
  12. Quel volto
  13. Veduto il miser quanto differente
  14. E vago d’incontrar chi guista pena
  15. Vattene vita và
  16. O vita troppo rea
  17. À quanti già felici in giovinezza
  18. Non tropvava mia fe sì duro intoppo
  19. Queste opre e piu
  20. Negando il mio Signor
  21. Vide homo
[download the program, .pdf, 1.1 Mb]

Friday, May 30th, 2008
8:00 pm at First Church Cambridge

Sunday, June 1st, 2008
2:00 pm at the Church of St. John the Evangelist

At the height of spring, BCE is proud to present a program that features the widest musical range of repertoire. This program highlights Randall Thompson’s Peaceable Kingdom (1936), a beloved tour de force for unaccompanied choir that explores the powerful dynamic between the dramatic and the serene. Featured in between movements are various smaller works that explore the emotional complexity of loss during times of war and conflict. Join us for this bold musical conversation, underscored by a powerful yearning for peace.

Included in the performance will be the premiere performance of Look Down, Fair Moon, a new work written for the Boston Choral Ensemble by composer Zachary Wadsworth. Last fall, Wadsworth was announced winner of our first annual Commission Competition and wrote this work in response. His vivid setting of two Whitman poems is an ideal companion to Thompson’s work from some 70 years earlier. Don’t miss this rare event!

Randall THOMPSON
(1899–1984)
:
The Peaceable Kingdom (1936)
I. Say ye to the righteous
Josquin des PREZ
(1450–55—1521)
: Absalon fili mi (c 1500)
Randall THOMPSON :
The Peaceable Kingdom
II. Woe unto them
Thomas TOMKINS
(1572–1656)
: When David Heard that Absalom was Slain (1622)
Randall THOMPSON :
The Peaceable Kingdom
III. The noise of a multitude
IV. Howl ye
Salamone ROSSI
(1570–1630)
: Kaddish (1622–23)
Randall THOMPSON :
The Peaceable Kingdom
V. The paper reeds by the brooks
Zachary WADSWORTH
(1983—)
:
Look down, fair moon (2008)
Winner of the Boston Choral Ensemble’s
1st Annual Commission Competition
Randall THOMPSON :
The Peaceable Kingdom
VI. But these are they that forsake the Lord
For ye shall go out with joy
Edward ELGAR
(1857–1934)
: Peace, Gentle Peace (1902)
from Coronation Ode, Op. 44
Randall THOMPSON :
The Peaceable Kingdom
VII. Have ye not known?
VIII. Ye shall have a song 
[download the program, .pdf, .9 Mb]